{"id":2664,"date":"2010-07-04T12:40:49","date_gmt":"2010-07-04T16:40:49","guid":{"rendered":"http:\/\/stallonezone.com\/wordpress\/?p=2664"},"modified":"2010-07-04T12:40:49","modified_gmt":"2010-07-04T16:40:49","slug":"the-return-of-the-action-flick","status":"publish","type":"post","link":"https:\/\/stallonezone.com\/wordpress\/2010\/07\/04\/the-return-of-the-action-flick\/","title":{"rendered":"The Return of the Action Flick&#8230;"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/stallonezone.com\/imgs\/news\/2010\/july\/070410expendables.png?resize=475%2C265\" alt=\"\" width=\"475\" height=\"265\" \/><\/p>\n<p>On<strong> June 28, 2010<\/strong>, <a href=\"http:\/\/www.nytimes.com\" target=\"_blank\"><strong>The New York Times<\/strong><\/a> posted an article by  <strong>Michael Cieply<\/strong> called <em><strong>The Return of the Action Flick All Stars<\/strong><\/em>.\u00a0 In the piece, <strong>Cieply <\/strong>looks at <em><strong>The Expendables<\/strong><\/em>.\u00a0 Here are a few of the highlights&#8230;<\/p>\n<blockquote><p>&#8230;<strong> &#8220;The Expendables,&#8221;<\/strong> a relatively high-budget production from the usually low-budget operators <strong>Nu Image<\/strong> and <strong>Millennium Films<\/strong>, is beginning to look like a potential late-summer winner for <strong>Lionsgate<\/strong>, which is to release it on <strong>Aug. 13<\/strong>, after a big promotional push at the <strong>Comic-Con International<\/strong> fan convention in late <strong>July<\/strong>.<\/p><\/blockquote>\n<blockquote><p>An early press screening at <strong>Lionsgate\u2019s Santa Monica<\/strong> headquarters last week drew a full house and whoops in all the right places as <strong>Mr. Stallone<\/strong> led his hired guns on a mission to a drug-infested island.<\/p><\/blockquote>\n<blockquote><p>Stuff explodes. Men die. Cigars are smoked in (short) contemplative moments in a movie whose script is credited to <strong>David Callaham<\/strong> and <strong>Mr. Stallone<\/strong>, but that owes much to precedents like <em><strong>\u201cThe Professionals,\u201d \u201cThe Wild Bunch\u201d<\/strong><\/em> and <em><strong>\u201cThe Dirty Dozen.\u201d<\/strong><\/em><\/p><\/blockquote>\n<blockquote><p><em><strong>\u201cThe Expendables\u201d <\/strong><\/em>was wrangled from <strong> Warner Brothers<\/strong>, where the film, then called <em><strong>\u201cBarrow,\u201d<\/strong><\/em> was born about six years ago in a pitch by <strong>Mr. Callaham<\/strong>, who was working with the producers <strong>Basil Iwanyk<\/strong> of <strong>Thunder Road Pictures<\/strong> and<strong> Guymon Casady<\/strong> of <strong>Management 360<\/strong>.<\/p><\/blockquote>\n<blockquote><p>Asked what had killed classic action films like his <em><strong>&#8220;Rambo\u201d<\/strong><\/em> and <em><strong>&#8220;Rocky&#8221; <\/strong><\/em>series \u2014which each eked out a respectable performance with retro-style sequels in the past few years \u2014 <strong>Mr. Stallone<\/strong> answered in a word: \u201ctechnology.\u201d<\/p>\n<p>When stars could \u201cVelcro their muscles on, it was over,\u201d he said.<\/p><\/blockquote>\n<blockquote><p><strong>Mr. Stallone<\/strong> said he would like next to play the mobster<strong> John Gotti <\/strong>in a father-and-son story, and has been spending time with<strong> John Gotti Jr.,<\/strong> trying to get a film started.<\/p><\/blockquote>\n<p>Go <a href=\"http:\/\/www.nytimes.com\/2010\/06\/29\/movies\/29expendables.html\" target=\"_blank\"><strong>here<\/strong><\/a> to read the full article.<\/p>\n<blockquote><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>On June 28, 2010, The New York Times posted an article by Michael Cieply called The Return of the Action Flick All Stars.\u00a0 In the piece, Cieply looks at The Expendables.\u00a0 Here are a few of the highlights&#8230; &#8230; &#8220;The Expendables,&#8221; a relatively high-budget production from the usually low-budget operators Nu Image and Millennium Films, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[85,50],"tags":[],"class_list":["post-2664","post","type-post","status-publish","format-standard","hentry","category-85","category-expendables"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3r2Pe-GY","_links":{"self":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/2664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/comments?post=2664"}],"version-history":[{"count":1,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/2664\/revisions"}],"predecessor-version":[{"id":2665,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/2664\/revisions\/2665"}],"wp:attachment":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/media?parent=2664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/categories?post=2664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/tags?post=2664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}