{"id":9022,"date":"2001-02-20T17:53:28","date_gmt":"2001-02-20T21:53:28","guid":{"rendered":"http:\/\/stallonezone.com\/wordpress\/?p=9022"},"modified":"2017-11-24T17:55:23","modified_gmt":"2017-11-24T21:55:23","slug":"the-making-of-driven-part-one","status":"publish","type":"post","link":"https:\/\/stallonezone.com\/wordpress\/2001\/02\/20\/the-making-of-driven-part-one\/","title":{"rendered":"The Making of &#8220;Driven&#8221; Part One"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" width=\"752\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"661\" height=\"1108\">\n<table border=\"0\" width=\"801\" cellspacing=\"0\" cellpadding=\"1\">\n<tbody>\n<tr>\n<td align=\"left\" valign=\"top\" width=\"585\" height=\"1009\">\n<div align=\"left\">\n<p class=\"bodytext\">Returning to his roots as a writer five years ago, <b>SYLVESTER STALLONE<\/b> was full of questions about the type of men it took to control a 900-horsepower car at speeds well over 200 miles per hour. At the core of his new film<b> &#8220;Driven&#8221;<\/b> is<b> STALLONE<\/b>&#8216;s fascination with &#8220;the men behind the visor,&#8221; the only professional athletes who risk their lives each time they practice or compete.<\/p>\n<p><span class=\"bodytext\">&#8220;For years I watched guys in helmets go around and I never knew who they were,&#8221; <b>STALLONE<\/b> said. &#8220;I wanted to understand who was living inside the helmet. What&#8217;s that man&#8217;s life like? What are his fears? How does he find the ability to maintain such extraordinary focus?&#8221; <\/span><\/p>\n<p class=\"bodytext\">Produced by <b>Franchise Pictures<\/b>, <b>&#8220;Driven&#8221;<\/b> is currently in post-production and will be released on April 27, 2001 by <b>Warner Bros. Pictures<\/b>. Using the latest moving-camera techniques and computer graphics technologies, director <b>RENNY HARLIN<\/b> is bringing to life a meticulously researched script that became a labor of love and an obsession for <b>STALLONE<\/b>.<\/p>\n<p class=\"bodytext\">Early in the research process, <b>STALLONE<\/b> narrowed his focus to open-wheel racing, attracted by the extremely high speeds and the danger inherent in an open cockpit. Over the next few years, <b>STALLONE<\/b> attended dozens of <b>Formula One<\/b> and <b>CART<\/b> races around the world. In the process, he spent time with drivers and mechanics, team owners and journalists, asking questions and listening to their personal stories.<\/p>\n<p class=\"bodytext\"><b>STALLONE<\/b> soon identified an intriguing paradox at the core of motor racing: driving requires enormous personal courage and passion, but a racer has few opportunities to display these emotions during competition. Although he and his car are constantly communicating with the pit crew, each driver works alone in a delicate balancing act of risk and reward. Strapped into a tiny, confining cockpit, hands and feet occupied at all times without a break in the action, the athlete is further isolated from his fans by a full-face helmet. The visceral power and storytelling range of cinema seemed a perfect medium to unmask the driver and reveal his personal experience.<\/p>\n<p class=\"bodytext\">In search of a central character, <b>STALLONE<\/b> created <b>Joe Tanto<\/b>, a retired race car driver who is called back to racing to help develop a talented, but unfocused young rookie [<b>KIP PARDUE<\/b>]. For <b>Tanto<\/b>, getting back on track means navigating a troubled emotional past and once again confronting the racer&#8217;s delicate balancing act between the desire to win and the need to survive.<\/p>\n<p class=\"bodytext\">&#8220;These guys have many of the same fears and daily concerns or problems we all have,&#8221; <b>STALLONE<\/b> said. &#8220;But they have to develop what we call in the film, the &#8216;quiet spot,&#8217; this extraordinary focus and channeling of energy to do their jobs. A driver is right on the ragged edge between heaven and hell, life and death. He&#8217;s the master of his destiny and that&#8217;s a rare, powerful place to be.&#8221;<\/p>\n<p class=\"bodytext\">Reflecting the multicultural mix of the real-life racing community, <b>&#8220;Driven&#8221; <\/b>stars an international cast of familiar faces and newcomers. The players range from <b>BURT REYNOLDS<\/b>, whose <b>&#8220;Smoky and the Bandit&#8221; <\/b>films featured some of the most unforgettable chase scenes of all time, to <b>CHRISTIAN de la FUENTE<\/b> [Family Law], who started his career as a pilot in the Chilean Air Force. <b>GINA GERSHON<\/b> plays <b>FUENTE<\/b>&#8216;s wife, and German actor\/director <b>TIL SCHWEIGER<\/b> plays the world-champion driver <b>Beau Brandenburg<\/b>. Making her feature film debut, Canadian supermodel <b>ESTELLA WARREN<\/b> lights up the screen as <b>Brandenburg<\/b>&#8216;s girlfriend.<\/p>\n<p class=\"bodytext\">Shot on location in and around the actual 2000 CART racing series, <b>&#8220;Driven&#8221;<\/b> will offer race fans with a unique opportunity to transcend the visual limitations of televised motorsports, revealing the driver&#8217;s full experience of speed. While the wide lenses and high angles of television used tend to flatten and slow down action for the viewer, <b>HARLIN<\/b>&#8216;s use of advanced technology moving cameras, multiple angles, visual effects and computer graphic imaging promises a spectacular depiction of velocity.<\/p>\n<p class=\"bodytext\">&#8220;We&#8217;ve never seen what the driver sees at such high speeds,&#8221; said <b>STALLONE<\/b>. &#8220;We want to give the audience the terrifying, thrilling experience of what it&#8217;s like to be sitting on top of all that horsepower, to get inside the mind of the driver, to see what he sees and feel what he feels.&#8221; To accomplish this ambitions goal, <b>STALLONE<\/b> and <b>HARLIN<\/b> dove into the traveling carnival of open-wheel racing and created a new way of planning and making an action film.<\/p>\n<p class=\"bodytext\">Part 2 of this series will explore a complex and unusual shooting process that took place during carefully-scheduled breaks in the actual race action at tracks on four continents.<b> &#8220;Driven&#8221;<\/b> stars <b>SYLVESTER STALLONE<\/b>, <b>BURT REYNOLDS, KIP PARDUE, TIL SCHWEIGER, GINA GERSHON, ESTELLA WARREN,<\/b> and <b>CHRISTINA de la FUENTE<\/b>. Directed by <b>RENNY HARLIN<\/b> and written by <b>STALLONE<\/b>, the film reunites the two following their highly successful collaboration on <b>&#8220;Cliffhanger.&#8221;<\/b> <b>&#8220;Driven&#8221;<\/b> is produced by <b>Franchise Pictures<\/b>&#8216; <b>ELIE SAMAHA<\/b>, <b>STALLONE<\/b> and <b>HARLIN<\/b>. <b>ANDREW STEVENS, DON CARMODY<\/b> and <b>KEVIN KING<\/b> are the executive producers. It will be released by <b>Warner Bros<\/b>. Pictures, an<b> AOL Time Warner Company<\/b><\/p>\n<p class=\"bodytext\">From a <b>&#8220;Driven&#8221;<\/b> Street Team press release &#8211; <b>Craig Zablo<\/b> [February 20, 2001]<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Returning to his roots as a writer five years ago, SYLVESTER STALLONE was full of questions about the type of men it took to control a 900-horsepower car at speeds well over 200 miles per hour. At the core of his new film &#8220;Driven&#8221; is STALLONE&#8216;s fascination with &#8220;the men behind the visor,&#8221; the only [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[69,20,73],"tags":[],"class_list":["post-9022","post","type-post","status-publish","format-standard","hentry","category-69","category-celebs","category-driven"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3r2Pe-2lw","_links":{"self":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/9022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/comments?post=9022"}],"version-history":[{"count":1,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/9022\/revisions"}],"predecessor-version":[{"id":9023,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/posts\/9022\/revisions\/9023"}],"wp:attachment":[{"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/media?parent=9022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/categories?post=9022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stallonezone.com\/wordpress\/wp-json\/wp\/v2\/tags?post=9022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}