A Rocky Road

A Rocky Road
Sylvester Stallone is in training for another comeback
BY MARK CARO for the Chicago Tribune
Posted on Tuesday, July 29, 2003

AUSTIN, Texas — Sylvester Stallone is climbing back into the ring, figuratively in “Spy Kids 3-D: Game Over” and literally in a sixth “Rocky” movie.

Yes, he has already written “Rocky VI,” which he’s calling “Puncher’s Chance,” the title referring to the idea that once in the ring, any fighter has a chance to land a knockout punch. Stallone — with “Spy Kids 3-D” the only one of his last four movies to actually make it to theaters — is looking for that shot as well.

Rocky made his moment when he’s 29 years old,” a fit-looking Stallone, who turned 57 on July 6, said while in Austin for the “Spy Kids” premiere. “Now time has moved on, but how do you participate when your options are pretty limited? It’s not as though he’s a painter or a world traveler. He is a fixture in the neighborhood. The neighborhood is decaying. Do you decay with it? And when you try to fight back, (you’re told), ‘It’s ludicrous. Come on! Move on! Don’t be so vain.’

“It’s not about vanity,” he continued, his familiar gravelly voice turning soft. “It’s about, ‘I know I don’t feel as though I’ve hit the bottom. I haven’t dredged the bottom of my well yet, I don’t think.’ There’s a point when you sit back on your life, and you’re on your final days going, ‘You know? I did it all.’ And I don’t know if I’ve done it all. The character.”

These last two words were said as a reminder that he was talking about Rocky, not himself.

But he knows he can’t escape the parallels. Like his most famous character, Stallone has gone from top-of-the-world star to afterthought — a $20 million-per-movie action hero whose most recent efforts have bombed (“Get Carter,” “Driven,” the latter of which he wrote) or, worse yet, haven’t even received a U.S. theatrical release (“D-Tox,” also known as “Eye See You,” “Avenging Angelo,” “Shade”).

“Spy Kids 3-D,” which opened Friday, at least will get him in front of large audiences again. He plays the comical villain, the Toymaker, who has designed a video game that ultimately imprisons the minds of its players. The character’s goofiness manifests itself in multiple personalities that argue with one another: a bald, professor type, a blustery European military commander (Stallone refers to him as “Gooselini”) and a stringy-haired hippie. For good measure, Stallone also plays a TV reporter.

Like most of the movie, his scenes were shot in front of green screens so that computerized scenery and special effects could be added later. Aside from a climactic confrontation with Ricardo Montalban, who plays the Spy Kids‘ wheelchair-bound grandpa, Stallone is mostly acting with himself.

How did he feel about acting without other actors? “I’ve been doing that for the last 10 years,” he quipped, laughing.

Stallone‘s sense of humor may not be one of his better-known traits, but it’s the key reason “Spy Kids 3-D” director Robert Rodriguez said he cast him.

Stallone compared working with a green screen to “being held face down in a bowl of guacamole for three weeks” (though his part took just five days to shoot).

“Yeah, it’s strange. It’s like working without a net.”

Yet “Spy Kids 3-D” feels like a safe move compared with what Stallone has planned. First up is a ripped-from-the-headlines crime drama called “Thugz Life” (formerly “Rampart Scandal”) that Stallone has written and is preparing to direct in his first stint behind the camera since 1985’s “Rocky IV.” He’ll also star as real-life Los Angeles police detective Russell Poole, whose career crashed as he tried to get to the bottom of the Tupac Shakur and Biggie Smalls murders.

Then there’s “Puncher’s Chance,” which continues Stallone‘s exploration of counted-out guys who keep forging ahead.

He admits he goofed in giving Rocky brain damage in “Rocky V,” which ended with Rocky brawling with his ungrateful protege on the street rather than in the ring.

“It was a big mistake on my part because nobody wants to see the dark, depressing underbelly of a character they’ve had joy with,” Stallone said.

So Rocky will return to the ring for movie No. 6.

Craig Zablo

Sly in People’s Star Tracks

Sly and the Family Man: Sylvester Stallone carted around 3-year-old daughter Sophia Rose as they caught some after-Christmas sales in Beverly Hills. Stallone and his wife, former model Jennifer Flavin, have another daughter Sistine Rose, 18 months.
The actor, who has been absent from the screen since his 1997 drama Copland, next co-stars with Tom Berringer in the police thriller D-Tox, due in September.

+++++

Can you believe that Sophia Rose is three already? That just goes to show how time flies… and September will be here before we know it!

Craig Zablo

Limited Release “Eye See You” Cards

Whoa! Isn’t that the coolest?

As most of you know, “Eye See You” was given a limited release in a couple of cities [it’ll be out on dvd and video at the end of the year]. SZonerKenman22, was lucky enough to score a few of these cards that were given out to promote the release of the film. He offered them to fellow SZoners for the cost of postage [less actually] and I of course jumped on board.

Thanks to Kenman22 for his kindness! [And Tanto one will be winging its way to you once I get your package in the mail!]

 Craig Zablo
[November 4, 2002]

Sly Promotes “Avenging Angelo” & Teases “Rambo 4”

Bob Milam and HandsomGQ1 sent in the following:

While teasing his new movie, AVENGING ANGELO, at a French film festival, Sylvester Stallone let it be known he thinks it’s time for a RAMBO 4.

“We’re talking about doing another Rambo because I think it’s time to combine action with politics,” Stallone said. Just what he means by “it’s time” is not exactly clear, but RAMBO 3 dealt with the then current hot subject of the Soviet invasion of Afghanistan.

It’s not known what success Stallone would have in such a venture. A few years ago, he made similar noises about bringing back the ROCKY series with a sixth film, but interest from studios was lacking.

Stallone has been hit by a series of misfired comeback attempts, and it’s been 14 year since the last RAMBO film. Stallone’s most recent comeback attempt, D-TOX, was not even released in theaters. It is coming out later this year on video.

Interesting news… and it looks as if “D-Tox” will get at least a limited release.

– Craig Zablo
[September 14, 2002]

“D-Tox” to Hit Theaters!

From Fangoria.com [thanks to Andrew B. and Glenn L.]:

Looks like the much-troubled Sylvester Stallone psychothriller EYE SEE YOU (a.k.a. D-TOX) will be hitting big screens after all, albeit in limited play. DEJ, the distribution arm of Blockbuster that will put the movie out on video December 31, will open EYE in Texas and the Detroit area September 20; if it does sufficient business, the release may be expanded. Jim (I KNOW WHAT YOU DID LAST SUMMER) Gillespie directed the film, in which Stallone plays a traumatized cop in a remote psychiatric center where the patients are stalked by a serial killer.

Let’s hope the movie does enough business to get a wider release… and at least this will insure that NONE of Sly’s movies have gone direct to video!

– Craig Zablo
[September 14, 2002]

“D-Tox” Wallpaper

I received the above wallpaper with this message from Hennie:

Howdy

Hope you’re well. It’s been crazy at work, but I’m freeing up some time to design a couple of wallpapers and I’ll send a Sly painting for the art gallery.

I finally saw D-Tox this weekend and I posted a review. It’s really not as bad as I thought. You’ll enjoy it! Hope it get’s released there soon!

Anyway, here’s a D-Tox wallpaper, I did it last night after I saw the film.

I’ll send some more stuff soon!

Cheers

Hennie


Great wallpaper (as always)! You know we’re all excited about seeing a Sly painting from you!

best,

Craig (May 12, 2002)

Sly Interview in March Impact

Two StalloneZoners (Paul Corr and Ernest Resendes) checked in with a tip about a Sly interview in the March 2002 issue of Impact magazine. Sly refers to “D-Tox” as a “dark horrifying movie… a descent into hell… your worst nightmare.” Sly further indicates that he believes that “D-Tox” will be released in the states and provides an interesting story about the title changes the film has undergone. It was changed from “D-Tox” (because people felt it had to do with recovering alcoholics) to “De-Tox” (too much of a rapper’s name feel) to “Eye See You” (Jennifer Flavin-Stallone‘s idea) back to “D-Tox.” The interviewer covers a couple more aspects of filming “D-Tox” and a few other areas as well. The interview is a worthy find for any Stallone fan!

Paul Corr also says that the April issue of Impact will also feature a closer look at Stallone‘s career. Paul continues: I was privileged to have seen D-tox twice. It was, in my opinion, a first class movie with an excellent performance by Stallone. I have written a short but to the point review in the mymovies site after the Stallonezone tip about the D-Tox clips. It was great to see the main man in the cinema.

The impact web address is http://www.maipublications.co.uk

Thanks to Paul and Ernest for giving us a heads-up on the interview!

– Craig Zablo (March 23, 2002)

EMPIRE PRAISES “D-TOX”

The March 2002 issue of Empire magazine has the following review:

D-Tox

Some three years after filming began, D-Tox is finally here. That delay, coupled with the presence of former box office heavyweight, Stallone, means that it must be crap, right? Well, actually no, it is better than crap. In fact it is surprisingly watchable. Which for a film delayed longer than Toen & Country, is saying something.

It’s a hybrid of Seven, The Thing, and Scottish helmer Gilliespie’s I Know What You Did Last Summer [right down to the killer’s fur-lined parka and ability to be in two different places at the same time]. But thanks to an ominous mood and some surprises – an attempted suicide is all the more shocking for its sheer matter-of-factness – the blend works.

However when Stallone arrives at the detox center, Gilliespie surrenders to cliche, wasting [literally] a pantheon of good actors in distressingly similar fashion. Sly, though, is on impressive, if not career-resuscitating form – at least until convention dictates that he run around dark corridors waving a gun.
Chris Hewit

Any Good?
D-Tox is probably best enjoyed on video. But that a serviceable thriller like this struggles to get a release, when certain nameless dross gets rushed into cinemas is, frankly, bewildering.
***

“Sly, though, is on impressive, if not career-resuscitating form…” Music to my ears!
Thanks to Ernest “Jazzman” Resendes for sending in the info!

– Craig Zablo (February 17, 2002)